https://www.canterburychoral.org/artists daily 0.75 2025-05-09 https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456949579316-8P8F881W59LH6749HI67/image-asset.jpeg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456949681777-4Z2O93I7MYVB7WU8QQZQ/thumb.png PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456949737009-IQVTJ3PFH9TA1YDUOE8J/1.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456949768518-7US759046XR59QWAF8NB/1.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456949844215-73DP6IL6D57CPGUBXI6G/2.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456950111235-8CM0LIL0K96OK07GMZMM/1.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456950758632-NAZO8MNX0YD4IEMV9UF6/1.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456950815936-S4V3GZ4BXDTTYKUU8TLJ/1.jpg PROFILES-Example https://images.squarespace-cdn.com/content/v1/56d73dbac2ea51af9150258f/1456950982714-2IXOYNN1M2KWJZKT0KF1/1.jpg PROFILES-Example https://www.canterburychoral.org/concerts-events daily 0.75 2017-08-15 https://www.canterburychoral.org/concerts-events/2017/8/15/world-premiere-of-bound-for-glory-rollo-dilworth-composer-symphony-no-8-symphony-of-a-thousand-gustav-mahler-composer monthly 0.5 2018-07-09 https://www.canterburychoral.org/concerts-events/2017/3/5/the-passion-according-to-st-matthew-by-johann-sebastian-bach monthly 0.5 2017-02-20 https://www.canterburychoral.org/concerts-events/elijah monthly 0.5 2017-06-10 https://www.canterburychoral.org/robert-shaw daily 0.75 2017-08-30 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1483910543654-NA9C5D9TQFUMBR2Y9XBN/RobertShaw.jpg Robert Shaw https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1483910543654-NA9C5D9TQFUMBR2Y9XBN/RobertShaw.jpg Robert Shaw https://www.canterburychoral.org/spotlight daily 0.75 2016-12-14 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481741317729-794I8RG9FJDVJHRS2KSZ/Russell+Dian-01967.jpg Spotlight https://www.canterburychoral.org/soloists-old daily 0.75 2017-11-08 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505150935028-BY0WYWR8Z5WJV6F5AF10/Sidney+Outlaw.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505255057130-10G2VN9T5JQKN22C7835/Fredrika+Brillembourg.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482119473637-2GWB82F3LENI1P3198EH/94385d_8b7b89237bae4f07a100380aa591f976.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505322686774-J978L2OEW20VIDX3U982/JG+Headshot+-+Oehlers.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505411015495-A2E1HJHFOHVFRZI7PSH7/JGrimaldi.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505413822974-F4P7DCI5LSUYKVPS44C6/PH_Fout.jpg SOLOISTS - OLD https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1505414313492-JW7PDO5T29UQGPCDMDLW/John_Myers_WEB_SMALL-4.jpg SOLOISTS - OLD https://static1.squarespace.com/static/582bde75b8a79b9d0fbecb24/t/5a0376ecf9619acb4fed3224/1510176492723/ SOLOISTS - OLD https://www.canterburychoral.org/sharla-nafziger daily 0.75 2016-11-22 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1479778339435-RAXN6Q807DYNAN2JXD6O/Russell+Dian-02023.jpg Sharla Nafziger https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1479778339435-RAXN6Q807DYNAN2JXD6O/Russell+Dian-02023.jpg Sharla Nafziger https://www.canterburychoral.org/laura-jobinacosta daily 0.75 2020-09-11 https://static1.squarespace.com/static/582bde75b8a79b9d0fbecb24/t/5f5ba58fbc534d2492f3b6fe/1599841620068/ Laura Jobin-Acosta https://static1.squarespace.com/static/582bde75b8a79b9d0fbecb24/58339ececd0f68654b75fb5d/58339eed59cc68bae6c9a28b/1599841620068/Russell+Dian-5333.jpg Laura Jobin-Acosta https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599841397579-O9NBYXNJ4DAEW0CXXTTH/laura.jpg Laura Jobin-Acosta https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599841539128-DGZW3TCFAF153MS2NK5R/image-asset.jpeg Laura Jobin-Acosta - Christopher Teft https://www.canterburychoral.org/kathleen-kelly daily 0.75 2016-12-09 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1479778638891-KT51NAMEL06AFD0D831E/Russell+Dian-5039.jpg Kathleen Kelly https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1479778638891-KT51NAMEL06AFD0D831E/Russell+Dian-5039.jpg Kathleen Kelly https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1479778856139-8BSXZ01P7H84ZNUXPEOC/Russell+Dian-01968.jpg Kathleen Kelly https://www.canterburychoral.org/juli-borst daily 0.75 2016-12-14 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481741248838-ACK8AY3B53LA9F19VEVI/Full+chorus+at+performance+2.jpg Juli Borst https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481741248838-ACK8AY3B53LA9F19VEVI/Full+chorus+at+performance+2.jpg Juli Borst https://www.canterburychoral.org/valerie-vollmer daily 0.75 2016-12-14 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481741297620-9VKAFM0AQI0XA5IX7B17/Russell+Dian-01769.jpg Valerie Vollmer https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481741297620-9VKAFM0AQI0XA5IX7B17/Russell+Dian-01769.jpg Valerie Vollmer https://www.canterburychoral.org/daniel-neer daily 0.75 2016-12-14 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481752643689-B7OGFSFS53S3F8H6APTT/StainglassCrop-4+C.jpg Daniel Neer https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1481752643689-B7OGFSFS53S3F8H6APTT/StainglassCrop-4+C.jpg Daniel Neer https://www.canterburychoral.org/tony-ramos daily 0.75 2016-11-22 https://www.canterburychoral.org/ralph-braun daily 0.75 2016-11-22 https://www.canterburychoral.org/alistair-reid daily 0.75 2016-11-22 https://www.canterburychoral.org/soloists daily 0.75 2025-01-13 https://www.canterburychoral.org/soloists/2018/4/10/valerie-vollmer-r8le7 monthly 0.5 2025-02-12 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/e947c283-b4da-4916-a5f4-e7c486ad3e3f/Bess+Morrison+Headshot.jpg SECTION LEADERS - Bess Morrison Bess Morrison https://www.canterburychoral.org/soloists/2018/1/17/matthew-curran-95khc monthly 0.5 2025-04-04 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/410c1019-d439-4532-8e8e-be7f6f44f3a1/Anna+Willson.jpg SECTION LEADERS - Anna Willson - Make it stand out Anna Willson https://www.canterburychoral.org/soloists/2018/4/10/ethan-fran monthly 0.5 2025-02-12 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599848886795-J2QLP40LU8CS56WQNSHX/Ethan+Fran SECTION LEADERS - Ethan Fran https://www.canterburychoral.org/soloists/2018/4/10/laura-jobin-acosta monthly 0.5 2024-10-04 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599849069211-95N6QQVAV84UB0RE78AG/Laura+Jobin-Acosta+9-11-2020 SECTION LEADERS - Laura Jobin-Acosta https://www.canterburychoral.org/soloists/2018/4/10/alistair-reid monthly 0.5 2020-09-22 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599849480270-BL7ZGHV9KV84LHJEXNZ2/alistair.jpg SECTION LEADERS - Alistair Reid https://www.canterburychoral.org/soloists/2017/11/29/hannah-speirman monthly 0.5 2025-02-12 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599857248416-GMIQQVK5G7GGUCQPRYV1/Hannah%2BSpierman%2B8-2018.jpg SECTION LEADERS - Hannah Spierman https://www.canterburychoral.org/soloists/2020/3/5/christopher-tefft monthly 0.5 2025-02-12 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1599841539128-DGZW3TCFAF153MS2NK5R/Christopher+Tefft.jpg SECTION LEADERS - Christopher Tefft https://www.canterburychoral.org/carlawesby daily 0.75 2016-12-19 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482119778911-XJ87P5RSDK9FLFTT52AK/clip2225821417636138.jpg Carla Wesby https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482118150783-7ABT34IEDNGA5007Z4KR/1481752644877.jpeg Carla Wesby - Carla Wesby Carla Wesby is maintaining a busy schedule as a soloist and choral singer in New York City. Her 2015-2016 season has included singing soprano solos in “Messiah” with Brooklyn Contemporary Chorus and Wagner College Choir and Orchestra, touring with Mark Morris Dance Group in the 16 voice ensemble of “Dido and Aeneas”, and performing on the Vox Novus Composers Series, among others. Last season she was heard in the extra chorus of “Die Meistersinger” at the Metropolitan Opera, as Rusalka in a scenes program with EnCanta Collective, and as the soprano soloist in Haydn’s “Lord Nelson Mass” with Brooklyn Contemporary Chorus, to name a few. In June of 2014, she sang the role of 2nd Fairy with New York City Ballet in Mendelssohn's "A Midsummer Night's Dream", a role she had previously covered in June of 2012. Carla attended Valparaiso University for her undergraduate studies, and Manhattan School of Music for her graduate degree. While at MSM she performed frequently with the Baroque Aria Ensemble. She also co-founded the One Act Opera Company and performed the role of Five-Year-Old in Milton Granger's "The Proposal". Since receiving her Masters degree, she has been auditioning and working as a freelance soprano. Highlights include Papagena in "Die Zauberflote", Barbarina in "Le Nozze di Figaro", and Eve in Haydn's "Creation" with One World Symphony, and making her Avery Fisher Hall debut as Jungfrau in Hiller's "The Destruction of Jerusalem" with American Symphony Orchestra and her Carnegie Hall debut as Francisca in "West Side Story" with New York Philharmonic. Other favorite NYC performances include ensemble/servant in "My Fair Lady" with NY Philharmonic (with Kelsey Grammar and Kelli O'Hara in the leading roles), Pilate's Wife and ensemble in BAM's staged, memorized production of Bach's "St. Matthew Passion", singing backup with Chinese pop star Song Zuying at Radio City Music Hall, and collaborating with Paul McCartney on his oratorio "Ecce cor meum".Carla has been a soloist with Mineola Choral Society, Canterbury Choral Society, Brooklyn Contemporary Chorus, Big Apple Baroque, Staten Island Symphony, Westchester Chorale, and National Chorale. She was in the chorus at New York City Opera for "Esther", "Madama Butterfly", "Moses in Egypt", and "Anna Nicole". Carla is a founding member of Opera Collective, a group devoted to making opera more accessible, partly by performing in the Music Under New York program. She is also in her 10th season as a cantor and section leader at St. Patrick's Cathedral, which has afforded her the opportunity to sing for Pope Francis, Pope Benedict XVI, and for hundreds of people at their masses, concerts, and on the radio and television. Both of her parents are composers, and she has premiered various works of theirs over the last decade. She can be heard on Alice Parker’s recordings of “The Family Reunion”, “Listen, Lord”, and “Singers Glen”. This summer she will return to Bard Summerscape to perform in Mascagni’s “Iris”., having previously sung in the choruses of "Euryanthe", "Oresteia", "Le Roi Malgre Lui", "Der Ferne Klang", and "Les Huguenots". https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482118904314-B749CP3DK760CTR19RCP/clip2225821417636138.jpg Carla Wesby Carla Wesby is maintaining a busy schedule as a soloist and choral singer in New York City. Her 2015-2016 season has included singing soprano solos in “Messiah” with Brooklyn Contemporary Chorus and Wagner College Choir and Orchestra, touring with Mark Morris Dance Group in the 16 voice ensemble of “Dido and Aeneas”, and performing on the Vox Novus Composers Series, among others. Last season she was heard in the extra chorus of “Die Meistersinger” at the Metropolitan Opera, as Rusalka in a scenes program with EnCanta Collective, and as the soprano soloist in Haydn’s “Lord Nelson Mass” with Brooklyn Contemporary Chorus, to name a few. In June of 2014, she sang the role of 2nd Fairy with New York City Ballet in Mendelssohn's "A Midsummer Night's Dream", a role she had previously covered in June of 2012. Carla attended Valparaiso University for her undergraduate studies, and Manhattan School of Music for her graduate degree. While at MSM she performed frequently with the Baroque Aria Ensemble. She also co-founded the One Act Opera Company and performed the role of Five-Year-Old in Milton Granger's "The Proposal". Since receiving her Masters degree, she has been auditioning and working as a freelance soprano. Highlights include Papagena in "Die Zauberflote", Barbarina in "Le Nozze di Figaro", and Eve in Haydn's "Creation" with One World Symphony, and making her Avery Fisher Hall debut as Jungfrau in Hiller's "The Destruction of Jerusalem" with American Symphony Orchestra and her Carnegie Hall debut as Francisca in "West Side Story" with New York Philharmonic. Other favorite NYC performances include ensemble/servant in "My Fair Lady" with NY Philharmonic (with Kelsey Grammar and Kelli O'Hara in the leading roles), Pilate's Wife and ensemble in BAM's staged, memorized production of Bach's "St. Matthew Passion", singing backup with Chinese pop star Song Zuying at Radio City Music Hall, and collaborating with Paul McCartney on his oratorio "Ecce cor meum".Carla has been a soloist with Mineola Choral Society, Canterbury Choral Society, Brooklyn Contemporary Chorus, Big Apple Baroque, Staten Island Symphony, Westchester Chorale, and National Chorale. She was in the chorus at New York City Opera for "Esther", "Madama Butterfly", "Moses in Egypt", and "Anna Nicole". Carla is a founding member of Opera Collective, a group devoted to making opera more accessible, partly by performing in the Music Under New York program. She is also in her 10th season as a cantor and section leader at St. Patrick's Cathedral, which has afforded her the opportunity to sing for Pope Francis, Pope Benedict XVI, and for hundreds of people at their masses, concerts, and on the radio and television. Both of her parents are composers, and she has premiered various works of theirs over the last decade. She can be heard on Alice Parker’s recordings of “The Family Reunion”, “Listen, Lord”, and “Singers Glen”. This summer she will return to Bard Summerscape to perform in Mascagni’s “Iris”., having previously sung in the choruses of "Euryanthe", "Oresteia", "Le Roi Malgre Lui", "Der Ferne Klang", and "Les Huguenots". Website https://www.canterburychoral.org/jeffreymandelbaum daily 0.75 2016-12-19 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482119722512-FMSMQT0MUDG0EJOVS98Z/Farn-2-051912.jpg Jeffrey Mandelbaum Jeffrey Mandelbaum made his debut at the Metropolitan Opera in The Enchanted Island singing the role of Ferdinand in a series of performances alongside Joyce DiDonato and Plácido Domingo, under the baton of William Christie. He has been hailed as a "first-class countertenor" by the Washington Post, and is fast becoming known for his powerful, elegant voice, and dynamic stage presence. He returned to the Metropolitan Opera for Thomas Ades’ The Tempest, starring Simon Keenlyside and Isabel Leonard, led by the composer, and directed by Robert Lepage, and is back for this season’s revival of The Enchanted Island. He made a double Alice Tully Hall debut, singing Bach’s Magnificat with the American Classical Orchestra, as well as Bach’s Christmas Oratorio with the Riverside Choral Society, and returns with ACO this fall. He will also be soloist in Bernstein’s Chichester Psalms and Missa Brevis with Amor Artis, Bach’s St. John Passion with the Canterbury Choral Society, and Bach’s St. Matthew Passion with the Canticum Novum Singers. Regarding his debut at Virginia Opera in Agrippina, Tim Smith states in Opera News, “Jeffrey Mandelbaum, with a sweet sound, was highly satisfying… [and] brought considerable flair to his singing and characterization.” He was engaged by New York City Opera for Flavio, Ulisse, and Hansel and Gretel, and performed Giulio Cesare in two productions with Opera Theater of Connecticut, singing Tolomeo, as well as with One World Symphony, in the title role. He triumphed as Farnace in the New York premiere of Mitridate with Little Opera Theater of New York. Allan Kozinn states in the New York Times, “Jeffrey Mandelbaum gave an appealingly sensitive portrayal of Ottone,” in Opera Omnia’s Poppea. He reprised Ottone this summer with Dell’Arte Opera, earning further praise in the Times and other media. A sought after concert performer, he has sung with Orchestra of Saint Luke’s, American Classical Orchestra, Riverside Choral Society, Amor Artis, Westchester Oratorio Society, Norwalk Symphony, Greater Bridgeport Symphony, Connecticut Master Chorale, Mendelssohn Choir of Connecticut, Vermont Mozart Festival, Canterbury Choral Society, and others. He is in demand as a soloist for the oratorios of Handel and the choral works of Bach. He has made calling cards of the “tenor” solo in Orff’s Carmina Burana and the “boy” solo in Bernstein’s Chichester Psalms. In addition to performing baroque repertoire, he is also an experienced interpreter of contemporary opera, including DeChiera’s Cyrano De Bergerac with Opera Pacific; Monk’s Quarry with Spoleto Festival USA, Glass’s Galileo Galilei at Brooklyn Academy of Music, Hause’s Man: Biology Of A Fall at Kumble Theater [NYC], and two productions of Quincey’s Home And The River with Encompass New Opera Theatre, with whom he also premiered Quincey's Tale Of A Tell-Tale Heart, the leading role of which was written specifically for him. Mr. Mandelbaum is a winner of the 2003 Metropolitan Opera National Council Auditions, New York Districts, and has sung numerous recitals in venues throughout NYC and Tuscany. He received a B.A. with Honors in Interdisciplinary Performance from Oberlin College, and a Master of Music degree in Historical Performance-Voice from the Mannes College of Music. He coached in baroque style with Drew Minter and Julianne Baird, and studies vocal technique and artistry with Linda Monssen. http://www.jeffreymandelbaum.com https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482119722512-FMSMQT0MUDG0EJOVS98Z/Farn-2-051912.jpg Jeffrey Mandelbaum Jeffrey Mandelbaum made his debut at the Metropolitan Opera in The Enchanted Island singing the role of Ferdinand in a series of performances alongside Joyce DiDonato and Plácido Domingo, under the baton of William Christie. He has been hailed as a "first-class countertenor" by the Washington Post, and is fast becoming known for his powerful, elegant voice, and dynamic stage presence. He returned to the Metropolitan Opera for Thomas Ades’ The Tempest, starring Simon Keenlyside and Isabel Leonard, led by the composer, and directed by Robert Lepage, and is back for this season’s revival of The Enchanted Island. He made a double Alice Tully Hall debut, singing Bach’s Magnificat with the American Classical Orchestra, as well as Bach’s Christmas Oratorio with the Riverside Choral Society, and returns with ACO this fall. He will also be soloist in Bernstein’s Chichester Psalms and Missa Brevis with Amor Artis, Bach’s St. John Passion with the Canterbury Choral Society, and Bach’s St. Matthew Passion with the Canticum Novum Singers. Regarding his debut at Virginia Opera in Agrippina, Tim Smith states in Opera News, “Jeffrey Mandelbaum, with a sweet sound, was highly satisfying… [and] brought considerable flair to his singing and characterization.” He was engaged by New York City Opera for Flavio, Ulisse, and Hansel and Gretel, and performed Giulio Cesare in two productions with Opera Theater of Connecticut, singing Tolomeo, as well as with One World Symphony, in the title role. He triumphed as Farnace in the New York premiere of Mitridate with Little Opera Theater of New York. Allan Kozinn states in the New York Times, “Jeffrey Mandelbaum gave an appealingly sensitive portrayal of Ottone,” in Opera Omnia’s Poppea. He reprised Ottone this summer with Dell’Arte Opera, earning further praise in the Times and other media. A sought after concert performer, he has sung with Orchestra of Saint Luke’s, American Classical Orchestra, Riverside Choral Society, Amor Artis, Westchester Oratorio Society, Norwalk Symphony, Greater Bridgeport Symphony, Connecticut Master Chorale, Mendelssohn Choir of Connecticut, Vermont Mozart Festival, Canterbury Choral Society, and others. He is in demand as a soloist for the oratorios of Handel and the choral works of Bach. He has made calling cards of the “tenor” solo in Orff’s Carmina Burana and the “boy” solo in Bernstein’s Chichester Psalms. In addition to performing baroque repertoire, he is also an experienced interpreter of contemporary opera, including DeChiera’s Cyrano De Bergerac with Opera Pacific; Monk’s Quarry with Spoleto Festival USA, Glass’s Galileo Galilei at Brooklyn Academy of Music, Hause’s Man: Biology Of A Fall at Kumble Theater [NYC], and two productions of Quincey’s Home And The River with Encompass New Opera Theatre, with whom he also premiered Quincey's Tale Of A Tell-Tale Heart, the leading role of which was written specifically for him. Mr. Mandelbaum is a winner of the 2003 Metropolitan Opera National Council Auditions, New York Districts, and has sung numerous recitals in venues throughout NYC and Tuscany. He received a B.A. with Honors in Interdisciplinary Performance from Oberlin College, and a Master of Music degree in Historical Performance-Voice from the Mannes College of Music. He coached in baroque style with Drew Minter and Julianne Baird, and studies vocal technique and artistry with Linda Monssen. http://www.jeffreymandelbaum.com https://www.canterburychoral.org/blake-frideman daily 0.75 2017-01-21 https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1482119875022-C9W2C9R1SZRK302M7QEQ/img_1365.jpg Blake Friedman https://images.squarespace-cdn.com/content/v1/582bde75b8a79b9d0fbecb24/1484970223289-GZLYE88MP4VYVWVLP8HV/img_1365.jpg Blake Friedman “The charming, sunny Blake Friedman“, (Dayton’s Most Metro) praised for “ardent singing as well as comedic as well as dramatic abilities” (Broadway World) is a “glorious tenor” (The Berkshire Edge) originally from Chicago, Illinois and now living in New York City. Possessing a “silken and strong” (Tampa Bay Times), “fresh lyric tenor” (OperaNews Online), Blake has wowed critics and audiences alike with his “world class”, (Theatre is Easy) “powerful vocals” (Eye on Dance), “moving dynamic nuances” (The Berkshire Edge) and “climactic high notes”. (Q on Stage) “An outstanding tenor, indeed” (MVPBS), he sings with “tenderness, delicacy and a sense of emotional sympathy” (The Berkshire Edge). Blake’s most notable appearances include Tenor Soloist in the Liebeslieder Walzer with New York City Ballet at Lincoln Center, Tenor Soloist at Avery Fisher Hall (Geffen Hall) in Mozart’s Vespri Sollemnes de Confessore, Singer in Tchaikovsky: None but the Lonely Heart (BAM Fisher), Theo Van Gogh in Van Gogh’s Ear (Clark Institute/AIER) with Ensemble for the Romantic Century, and Conte Almaviva with St. Pete Opera (St. Petersburg, Florida). He has also served as Resident Tenor for American Opera Projects Composer’s and the Voice Program. A “skilled” (Theater Pizzazz) and “fine young singer”, (Taminophile) Blake has been seen on the operatic, concert, and theatrical stages. His operatic repertoire includes Conte Almaviva in Barbiere di Siviglia (St. Pete Opera), Nemorino in L’Elisir D’Amore (New Rochelle Opera), Alfredo in La Traviata (Long Island Opera), Rinuccio in Gianni Schicchi (Ash Lawn Opera), Pang in Turandot (St. Pete Opera), Rodolfo in La Boheme (Bronx Opera, Ash Lawn Opera), Jimmy O’Keefe in Later the Same Evening (Manhattan School of Music, Albany Records), First Armored Guard and First Priest in Die Zauberflöte (Ash Lawn Opera), and Marzio in Mitridate (Little Opera Theatre of NY). His vocal versatility has led him not just to the Italian and Bel Canto operatic repertoire, but also to the new and avant-garde American opera scene. As resident tenor of American Opera Project’s Composer’s and the Voice Program, Blake has been privileged to have multiple compositions written specifically for his voice and the opportunity to workshop and perform these new works at The South Oxford Space in Brooklyn, New York, the home of American Opera Projects. Apart from his operatic endeavors, Blake has performed numerous oratorio, concert, and theatrical works throughout the United States. His concert repertoire includes Handel’s Messiah(Tampa Oratorio Singers), Bach’s Magnificat (Key Chorale), Beethoven’s Mass in C Major (Key Chorale), Nicolas in Britten’s St. Nicolas (Canterbury Choral Society), Bach’s B-Minor Mass, Uriel in The Creation (Gregory Kunde Chorale), Mozart’s Requiem (Astoria Symphony), Haydn’s Lord Nelson Mass (Astoria Symphony), and Handel’s Ode on St. Cecilia’s Day (Gregory Kunde Chorale). He also notably performed the North American Premiere of a new adaptation of The St. Matthew’s Passion written by Eastern Orthodox Arch Bishop Metropolitan Hilarion Alfeyev with the Salome Chamber Ensemble and New York Virtuosic Singers at St. Paul the Apostle Church in New York City, attended by the Arch Bishop himself. At the theatre, Blake has appeared as Tony Candolino in Masterclass with The Human Race Theatre at The Loft Theatre in Dayton, Ohio; Theo Van Gogh in Van Gogh’s Ear presented by Ensemble for the Romantic Century in association with The Clark Institute in Great Barrington, Massachusetts; and Solo Voice in Tchaikovsky: None but the Lonely Heart with Ensemble for the Romantic Century at Brooklyn Academy of Music’s Fisher Fishman Space. Blake holds both a Master of Music and Professional Studies Degree from the Manhattan School of Music where he was a recipient of the Rodgers and Hammerstein Scholarship Award/Richard Rodgers Scholar and received his Bachelor of Music degree from The Eastman School of Music where he was the recipient of a Howard Hanson Scholarship. He also attended The Castleton Artist Training Seminar as the recipient of a full scholarship and is a proud alumnus of OperaWorks. He is the recipient of numerous awards including: A Career Bridges Grant from The Schuyler Foundation (2014),Winner of The American Prize: Friederich and Virginia Schorr Memorial Art Song Competition (2011), Honorable Mention in The Rochester Oratorio Society Classical Idol V Competition (2011), a Palm Beach Opera Guild Encouragement Award (2011) and Honorable Mention in the Eisenberg-Fried Concerto Competition (2010). He has also placed as a finalist in The Fritz and Lavinia Jensen Foundation Vocal Competition (2013), The Arkadi Foundation Classical Idol Competition (Top 10, 2013), and The New York Lyric Opera Theatre Vocal Competition (2010). 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