About Us (in five minutes)

 History

The Canterbury Choral Society's mission to present sacred choral masterpieces in sacred spaces with their full original orchestrations was entirely innovative and untried when the group began; its half-century-long success without any deviation from its original mission is unparalleled in New York City. Canterbury was founded in 1952 by Charles Dodsley Walker, a musician, organist, and conductor, Canterbury's concerts bring together a unique combination of volunteer, semi-professional and professional musicians. In 2014, Maestro Walker selected Jonathan De Vries, a long-time collaborator with Canterbury Choral Society and well-respected conductor and music educator in New York City, as his successor. After Maestro Walker’s death in 2015, the Board of Directors named Mr. De Vries as the new Artistic Director and Conductor.

The Canterbury Choral Society (CCS), initially a musical outreach project of Church of the Heavenly Rest in New York City, was created "for the purpose of presenting programs of the finest sacred choral music, to be given in church and with the required instrumental accompaniment.” With two or three major concerts per season, the Canterbury Chorus is accompanied by professional instrumentalists, organists and soloists. Regular benefit performances at Carnegie Hall or Avery Fisher Hall have featured an expanded adult ensemble of 300, and local children’s choirs. Since its founding, more than 3,000 children have sung with the chorus during benefit concerts, many of them participating in productions of Gustav Mahler’s Eighth Symphony, the monumental “Symphony of a Thousand”. Canterbury has performed over two hundred formal concerts and Canterbury singers have participated in scores of theatre productions, ceremonies and services throughout the metropolitan region. Performances have included Bach’s The Christmas Oratorio, St. Matthew Passion, and Mass in B minor; Duke Ellington’s Second Sacred Concert; Roland Dilworth’s Bound for Glory (premiere); Handel’s Sauand Messiah; Mozart’s Exultate, Jubilate, K165; Ariani’s Oratorio de San Francesco (revival); Brahms’ Ein Deutches Requiem; Chopin’s Concerto, No. 2; Royal Compositions - I was glad when they said unto Me (Parry), This is the Day (Rutter); Crown Imperial (Walton), Like as the Hart, (Howells) Let all the people praise thee (Mathias).

Other performances include Dvorak’s Mass in D Major-Luzany Mass; Mahler’s Eighth Symphony; Mendelssohn’s Elijah; Britten’s Festival Te Deum; Mathias’ Te Deum, Lully’s Te Deum, Stanford’s Laudamus in B-flat; Haydn’s Te Deum in C and Lord Nelson Mass; Williams’ Te Deum in G; Poulenc’s Gloria; Durufle’s Requiem; Schubert’s Mass in E flat; Beethoven’s Choral Fantasy in C minor, Williams’ Fantasia on Christmas Carols; Hodie’s A Christmas Cantata; Haydn’s Maria Teresa Te Deum; Holt’s The Hymn of Jesus; Mozart’s Vesperare Solennes de Confessore, K33g.

Church of the Heavenly Rest is an Episcopal church, a wonderful, sacred space located on Fifth Avenue at 90th Street in Manhattan's Carnegie Hill neighborhood. Canterbury’s regular rehearsals and performances are held here and help to amplify the outreach of this Upper East Side church, with whom the Choral Society maintains a special and treasured relationship.

Organizational Structure

Canterbury Choral Society reached administrative independence from the Church of the Heavenly Rest, its original sponsor, in 1988, when it achieved 501(c)(3) status. Today, CCS is a not-for-profit arts association with an independent Board of Directors and Officers, who hold regular meetings to oversee the short-range and long-range stability of the organization.

Its by-laws have been drafted in accordance with New York State requirements, and end-of-year meetings include standard reports as well as a Conductor’s Report, which features a survey of the past season's concerts and an overview of the next season's planned performances. An additional objective remains: to encourage the camaraderie that is a hallmark of Canterbury Choral Society.  While friendships, socializing, and laughter remain a key component of the annual end-of-season meetings, these meetings are not legally concluded without an official presentation of the business component of the agenda. 

Board of Directors and Officers 2023-2024

Officers are elected for one-year terms during the annual meeting, and board members serve for a three-year term.